Madre de Dios

The photo and sound-based project titled Madre de Dios transports visitors on a sensory journey deep into the Peruvian Amazon. Each work features a highly detailed photographic exposure of four to ten minutes in length, paired with a stereo audio recording made at the same location and duration as the exposure. The resulting works, large-scale photographic light boxes, illuminate and dim in sync with the environmental sounds recorded during that specific exposure. As each image begins to illuminate, one hears the sound of scarlet macaws landing on branches high above, the nocturnal mating calls of toads along an oxbow lake as a thunderstorm approaches, or the revving hum of a chainsaw at an illegal gold mining camp.

This is a sound-based work.  Be sure to turn your volume up.

Ficus Tree Grove, 4.02 minutes exposure - backlit photograph with synchronized stereo audio recording


 

Thunderstorm approaching Lake Soledad at Night, 7.05 minutes exposure - backlit photograph with synchronized stereo audio recording


 
Capoc Tree Trunk, 4.30 minutes exposure - backlit photograph with synchronized stereo audio recording

Capoc Tree Trunk, 4.30 minutes exposure - backlit photograph with synchronized stereo audio recording


 
On the Banks of the Piedras River, 8.17 minutes exposure - backlit photograph with synchronized stereo audio recording

On the Banks of the Piedras River, 8.17 minutes exposure - backlit photograph with synchronized stereo audio recording


 

Illegal gold mining operation along Kilometer 104, 4.19 minute exposure - backlit photograph with synchronized stereo audio recording


 
Transoceanic Highway Bridge Column across the Madre de Dios River, 8.07 minute exposure - backlit photograph with synchronized stereo audio recording

Transoceanic Highway Bridge Column across the Madre de Dios River, 8.07 minute exposure - backlit photograph with synchronized stereo audio recording


 

Madre de Dios installation at the Institute of Contemporary Art, Boston, 2010

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